ACT III
SCENE I | LEONATO'S garden. |
| Enter HERO, MARGARET, and URSULA |
HERO | Good Margaret, run thee to the parlor; |
| There shalt thou find my cousin Beatrice |
| Proposing with the prince and Claudio: |
| Whisper her ear and tell her, I and Ursula | 5 |
| Walk in the orchard and our whole discourse |
| Is all of her; say that thou overheard'st us; |
| And bid her steal into the pleached bower, |
| Where honeysuckles, ripen'd by the sun, |
| Forbid the sun to enter, like favourites, | 10 |
| Made proud by princes, that advance their pride |
| Against that power that bred it: there will she hide her, |
| To listen our purpose. This is thy office; |
| Bear thee well in it and leave us alone. |
MARGARET | I'll make her come, I warrant you, presently. | 15 |
| Exit |
HERO | Now, Ursula, when Beatrice doth come, |
| As we do trace this alley up and down, |
| Our talk must only be of Benedick. |
| When I do name him, let it be thy part |
| To praise him more than ever man did merit: | 20 |
| My talk to thee must be how Benedick |
| Is sick in love with Beatrice. Of this matter |
| Is little Cupid's crafty arrow made, |
| That only wounds by hearsay. |
| Enter BEATRICE, behind |
| Now begin; | 25 |
| For look where Beatrice, like a lapwing, runs |
| Close by the ground, to hear our conference. |
URSULA | The pleasant'st angling is to see the fish |
| Cut with her golden oars the silver stream, |
| And greedily devour the treacherous bait: | 30 |
| So angle we for Beatrice; who even now |
| Is couched in the woodbine coverture. |
| Fear you not my part of the dialogue. |
HERO | Then go we near her, that her ear lose nothing |
| Of the false sweet bait that we lay for it. | 35 |
| Approaching the bower |
| No, truly, Ursula, she is too disdainful; |
| I know her spirits are as coy and wild |
| As haggerds of the rock. |
URSULA | But are you sure |
| That Benedick loves Beatrice so entirely? | 40 |
HERO | So says the prince and my new-trothed lord. |
URSULA | And did they bid you tell her of it, madam? |
HERO | They did entreat me to acquaint her of it; |
| But I persuaded them, if they loved Benedick, |
| To wish him wrestle with affection, | 45 |
| And never to let Beatrice know of it. |
URSULA | Why did you so? Doth not the gentleman |
| Deserve as full as fortunate a bed |
| As ever Beatrice shall couch upon? |
HERO | O god of love! I know he doth deserve | 50 |
| As much as may be yielded to a man: |
| But Nature never framed a woman's heart |
| Of prouder stuff than that of Beatrice; |
| Disdain and scorn ride sparkling in her eyes, |
| Misprising what they look on, and her wit | 55 |
| Values itself so highly that to her |
| All matter else seems weak: she cannot love, |
| Nor take no shape nor project of affection, |
| She is so self-endeared. |
URSULA | Sure, I think so; | 60 |
| And therefore certainly it were not good |
| She knew his love, lest she make sport at it. |
HERO | Why, you speak truth. I never yet saw man, |
| How wise, how noble, young, how rarely featured, |
| But she would spell him backward: if fair-faced, | 65 |
| She would swear the gentleman should be her sister; |
| If black, why, Nature, drawing of an antique, |
| Made a foul blot; if tall, a lance ill-headed; |
| If low, an agate very vilely cut; |
| If speaking, why, a vane blown with all winds; | 70 |
| If silent, why, a block moved with none. |
| So turns she every man the wrong side out |
| And never gives to truth and virtue that |
| Which simpleness and merit purchaseth. |
URSULA | Sure, sure, such carping is not commendable. | 75 |
HERO | No, not to be so odd and from all fashions |
| As Beatrice is, cannot be commendable: |
| But who dare tell her so? If I should speak, |
| She would mock me into air; O, she would laugh me |
| Out of myself, press me to death with wit. | 80 |
| Therefore let Benedick, like cover'd fire, |
| Consume away in sighs, waste inwardly: |
| It were a better death than die with mocks, |
| Which is as bad as die with tickling. |
URSULA | Yet tell her of it: hear what she will say. | 85 |
HERO | No; rather I will go to Benedick |
| And counsel him to fight against his passion. |
| And, truly, I'll devise some honest slanders |
| To stain my cousin with: one doth not know |
| How much an ill word may empoison liking. | 90 |
URSULA | O, do not do your cousin such a wrong. |
| She cannot be so much without true judgment-- |
| Having so swift and excellent a wit |
| As she is prized to have--as to refuse |
| So rare a gentleman as Signior Benedick. | 95 |
HERO | He is the only man of Italy. |
| Always excepted my dear Claudio. |
URSULA | I pray you, be not angry with me, madam, |
| Speaking my fancy: Signior Benedick, |
| For shape, for bearing, argument and valour, | 100 |
| Goes foremost in report through Italy. |
HERO | Indeed, he hath an excellent good name. |
URSULA | His excellence did earn it, ere he had it. |
| When are you married, madam? |
HERO | Why, every day, to-morrow. Come, go in: | 105 |
| I'll show thee some attires, and have thy counsel |
| Which is the best to furnish me to-morrow. |
URSULA | She's limed, I warrant you: we have caught her, madam. |
HERO | If it proves so, then loving goes by haps: |
| Some Cupid kills with arrows, some with traps. | 110 |
| Exeunt HERO and URSULA |
BEATRICE | Coming forward |
| What fire is in mine ears? Can this be true? |
| Stand I condemn'd for pride and scorn so much? |
| Contempt, farewell! and maiden pride, adieu! |
| No glory lives behind the back of such. |
| And, Benedick, love on; I will requite thee, | 115 |
| Taming my wild heart to thy loving hand: |
| If thou dost love, my kindness shall incite thee |
| To bind our loves up in a holy band; |
| For others say thou dost deserve, and I |
| Believe it better than reportingly. | 120 |
| Exit |